by Roland Topor

The migrant Dragomir and his cousin Gritzka, both artists, find refuge at Florence’s house. All three embody the struggle between social conformism and economic contingencies. Glass and concrete materialize topics such as desire and the need for freedom and expression. At the same time it represents the contrast between organic and man-made, between presence and distance, love, care and affection.

Dramaturgy, set and costume design: olmedamCostume collage designs

Costumes after designs
Special thanks to: Gaëlle van Deurne, William Boeva and Arne van de Mierop